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template.tex
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template.tex
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\documentclass[sigplan,screen]{acmart}
\usepackage{amsmath}
\usepackage{xcolor}
\usepackage{color}
\usepackage{fancyvrb}
\usepackage{framed}
\usepackage{hyperref}
\usepackage{graphicx}
\usepackage{epigraph}
\usepackage{calc}
\begin{document}
\newcommand{\cL}{{\cal L}}
\setcopyright{cc}
\acmDOI{10.1145/3677996.3678290}
\acmYear{2024}
\copyrightyear{2024}
\acmISBN{979-8-4007-1099-5/24/09}
\acmConference[FARM '24]{Proceedings of the 12th ACM SIGPLAN International Workshop on Functional Art, Music, Modelling, and Design}{September 2, 2024}{Milan, Italy}
\acmBooktitle{Proceedings of the 12th ACM SIGPLAN International Workshop on Functional Art, Music, Modelling, and Design (FARM '24), September 2, 2024, Milan, Italy}
\acmSubmissionID{icfpws24farmmain-p38-p}
\received{2024-06-02}
\received[accepted]{2024-07-02}
\setcctype{by}
% definitions for citeproc citations
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\NewDocumentCommand\citeproc{mm}{%
\begingroup\def\citeproctext{#2}\cite{#1}\endgroup}
\makeatletter
% allow citations to break across lines
\let\@cite@ofmt\@firstofone
% avoid brackets around text for \cite:
\def\@biblabel#1{}
\def\@cite#1#2{{#1\if@tempswa , #2\fi}}
\makeatother
\newlength{\cslhangindent}
\setlength{\cslhangindent}{1.5em}
\newlength{\csllabelwidth}
\setlength{\csllabelwidth}{3em}
\newenvironment{CSLReferences}[2] % #1 hanging-indent, #2 entry-spacing
{\begin{list}{}{%
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% turn on hanging indent if param 1 is 1
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% set entry spacing
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\title{From Konnakol to Live Coding}
\author{Alex McLean}
\orcid{0000-0002-7428-7935}
\affiliation{%
\institution{Then Try This}
\city{Sheffield}
\country{United Kingdom}
}
\email{alex@slab.org}
%%
%% The abstract is a short summary of the work to be presented in the
%% article.
\begin{abstract}
Konnakol is a South Indian, Carnatic musical practice involving the
vocal recitation of algorithmic, geometric rhythmic patterns of
non-lexical syllables. I reflect on the experience of learning
konnakol rhythms, and of adapting the TidalCycles and Strudel live
coding environments to better represent Konnakol-inspired rhythms,
based on the concept of the metrical tactus. I share visualisations of
examples, and the development of a hybrid practice that integrates
vocal patterns with live coding. I conclude by considering the issue
of cultural appropriation around this work.
\end{abstract}
\begin{CCSXML}
<ccs2012>
<concept>
<concept_id>10010405.10010469.10010471</concept_id>
<concept_desc>Applied computing~Performing arts</concept_desc>
<concept_significance>500</concept_significance>
</concept>
<concept>
<concept_id>10010405.10010469.10010475</concept_id>
<concept_desc>Applied computing~Sound and music computing</concept_desc>
<concept_significance>500</concept_significance>
</concept>
<concept>
<concept_id>10003752.10003753</concept_id>
<concept_desc>Theory of computation~Models of computation</concept_desc>
<concept_significance>500</concept_significance>
</concept>
<concept>
<concept_id>10011007.10011006.10011050.10011017</concept_id>
<concept_desc>Software and its engineering~Domain specific languages</concept_desc>
<concept_significance>500</concept_significance>
</concept>
<concept>
<concept_id>10011007.10011006.10011008.10011009.10011012</concept_id>
<concept_desc>Software and its engineering~Functional languages</concept_desc>
<concept_significance>500</concept_significance>
</concept>
</ccs2012>
\end{CCSXML}
\ccsdesc[500]{Applied computing~Performing arts}
\ccsdesc[500]{Applied computing~Sound and music computing}
\ccsdesc[500]{Theory of computation~Models of computation}
\ccsdesc[500]{Software and its engineering~Domain specific languages}
\ccsdesc[500]{Software and its engineering~Functional languages}
\keywords{carnatic music, konnakol, konnakkol, live coding, rhythm}
\maketitle
\input{farm24.tex}
\end{document}
\endinput