@@ -8279,6 +8279,257 @@ I have some walls to paint.
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Later.
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\end_layout
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+ \begin_layout Subsection*
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+ 29 July 2025
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+ \end_layout
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+
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+ \begin_layout Standard
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+ So....
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+ I'm on an airplane, transatlantic, totallly terrible writing situation,
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+ but will attempt anyway.
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+ same theme as yesterday.
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+ Lingering foul mood.
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+ Unresolved dissatisfaction with my personal state of affairs.
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+ No need to repeat; the root causes are unchanged.
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+ Primarily unrequieted desire for a woman.
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+ I understand what drives poets.
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+ A month ago, I did not beleive in sublimation, as exolained in Wikipedia.
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+ Today, I do.
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+ Well, sort–of.
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+ I have to do something.
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+ Choices: sleep tortured.
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+ Agonize awake.
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+ Or write.
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+ and writng is OK.
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+ I have a whole essay here.
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+ Why am I procrastinating writing it? I guess because I want to set the
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+ mood.
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+ Sorry for the typos.
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+ Airplane.
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+ \end_layout
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+
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+ \begin_layout Standard
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+ Again, qualia are fundamental to the perception of here and now.
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+ As perceived by me, and not to be solipsistic, certainly by mammels, at
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+ least.
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+ The question is: are these accidentally, or somehow really fundamanetal?
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+ Gut intuition insists they are fundamental: Philosophical zombies are philosoph
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+ ical for a reason; no one claims to have met one.
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+ Although certainly there are some interesting mental cases on which I could
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+ be anchoring this discussion, if only I new oddball mental cases better.
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+ But the exception proves the rule.
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+ Why would nature have given us qualia?
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+ \end_layout
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+
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+ \begin_layout Standard
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+ Well, for slime mold, it makes sense: how else is the communication going
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+ to go? And moving up the evolutionary ladder, you could argue that indeed
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+ its a left-ver, some biological accident.
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+ I don't beleieve it; mammalian maternal love is central for species survival.
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+ Evolutionarily reinforced.
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+ \end_layout
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+
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+ \begin_layout Standard
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+ Going down the stack: why would slime molds do what they do? Well, to find
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+ food, thus survives and multiply.
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+ Why do that? Well, as an exponential, explosive process, nothing in nature
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+ can survive iif it is not aggressively attempting to replicate.
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+ Gravel can last only so long; sure in the depths of space, but exposed
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+ to sunlight and air and water, rock degrades.
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+ \end_layout
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+
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+ \begin_layout Standard
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+ So, again, a phase transition: one one side, static unchanging relational
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+ structures between atoms, e.g.
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+ rock, and on the other, complicated dynamical systems engaged in repication.
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+ Ingesting as needed, converting to self.
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+ We even have some vauge category-theoretic modelling for such.
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+ I've been saying sensori-motor, and always thinkng of sensory as some abstract
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+ data, whereas I guess I should someday (not now) consider food.
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+ And motor as movement, when I should more generally consider replication.
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+ But not today.
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+ \end_layout
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+
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+ \begin_layout Standard
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+ There's a book called
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+ \begin_inset Quotes eld
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+ \end_inset
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+
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+ It from Bit
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+ \begin_inset Quotes erd
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+ \end_inset
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+
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+ that I never read; but I am wondering instead,
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+ \begin_inset Quotes eld
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+ \end_inset
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+
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+ why is it bit from it?
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+ \begin_inset Quotes erd
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+ \end_inset
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+
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+ Why is space three–dimensional? All that.
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+ Won't revisit; no new ideas.
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+ Humans seem to posses the samllest amount of intelligence needed to full
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+ give birth to digital data.
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+ Tool use in animals, of course, but tools, like rock, decay.
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+ They do enter the fossil record, but this is accidental.
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+ Humans are really the first writiers with the intentional creation of writing:
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+ of not just generating Shannon–info, but inscribing it such a way as to
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+ make it intentionally long–lasting.
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+ \end_layout
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+
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+ \begin_layout Standard
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+ And thus the collision: the unverse, embodied as us, generates data.
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+ Part of the process seems to fundamentally require qualia.
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+ And look at the output: significant quantiies of love songs.
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+ More stupidly: attestations of qualia.
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+ Of, and its all in the here and now.
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+ \end_layout
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+
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+ \begin_layout Standard
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+ Oh right; a detour into energy.
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+ Energy is dual to time.
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+ But life requires thermal disequilibria, the flow of energy.
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+ Trite.
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+ Yes, but.
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+ Well, rocks don't percenive time.
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+ For two reasons: they are not sensori–motor and thus aren't really capable
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+ of having qualia.
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+ The other is that they are static: the atomic bonds do not change.with time.
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+ More or less, unless they are acted on, e.g.by a hammer.
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+ So rocks are timeless.
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+ Is this problematic fo here and now? Shouldn't be, because the universe
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+ has supplied plenty of hammers: eventually, asteroids crash into something.
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+ The dynamical system is ther, and dynamical systems mean time, and they
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+ have a now, and a here.
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+ And are irreversible following conventional arguments abour ergodicity.
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+ So my here–and–now arguement was inherently founded on quantum arguments,
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+ but even clasical physics certainly almost comes close.
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+ Just that classical physics does not give us wave function collapse, which
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+ seems fundamental for here–and–now.
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+ \end_layout
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+
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+ \begin_layout Standard
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+ Next, we have sensorimotor; and the category theory of this which I do not
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+ have, but grok the general form thereof, this is classical.
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+ More or less completely.
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+ There does not appear to be any need for multi–worlding it.
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+ Of course, to have it fit reality as I know it, sensori-motor would have
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+ to admit qunatum crossing the agent boundaries.
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+ This would be far more challenging to articulate as a thoery, and is perhaps
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+ an important to–do list item that might be strong enough to force me to
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+ formalize the baseic classical physics (Shannonesque??) sensorimotor agent
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+ axioms.
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+ I need those axioms solidly and fully inplace before I can contemplate
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+ quantum extensions.
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+ \end_layout
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+
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+ \begin_layout Standard
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+ What else? So yesterday, I argued that Jungian spiritualism, if it extists
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+ and is a real thing, must necessarily be quantum, because it cannot be
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+ founded on Shannon clasical information.
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+ And so now, finally, this leaves qualia.
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+ Can Turing systems, or rather, sensori-motor agents, formulated as classical
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+ axiomatic systems, can they have qualia? I always hated the Chinese room
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+ argument, but this is perhaps one place where it can be used to argue that
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+ classical axiomatic agentic systems cannot feel qualia, and that qualia
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+ require quantum, and even more: qualia is central to here–and–now.
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+ The feeling of here–and–now is a fundamental part of human existence.
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+ I've sketched a theory of it, as a wave of freezing between past and future,
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+ and even articulated why stars billions of light years away are in the
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+ smae here and now as I am.
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+ And I beleive I got the general sketch correct, and fuck you if you don't
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+ agree.
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+ \end_layout
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+
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+ \begin_layout Standard
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+ But that distant star should not have qualia, even is the physical process
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+ of freezing the past occurs, uhh, there, as well as here.
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+ So qualia are ...
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+ anchored in here and now, but require a perceptive system to feel them.
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+ The Chinese room argument says that qualia cannot be a classical Turing
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+ axiomatic system.
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+ I mean, maybe it could but gee I don't see how, and so rather than getting
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+ backed into that corner; claiming that qualia requires quantum sesorimotor
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+ systems seems like ...
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+ the way to go.
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+ The mystery is not decreased in this way, and brings me no closer to understand
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+ ing, but it does seem more self–consistent.
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+ \end_layout
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+
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+ \begin_layout Standard
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+ And that's kind of all I've got.
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+ I'm on a plane, and had a number of pleassant, fitful dreams.
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+ \end_layout
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+
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+ \begin_layout Standard
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+ Worthy of mention is that I came up wih almost all of the essay above, before
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+ I dozed off for that hour or two.
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+ But as I dozed, I knew that wordcelin g my way into this diary would have
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+ prevented the creative process.
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+ Too much headachiness, it would have been a blocker.
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+ And so I thought vaguely about the creative process.
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+ Well known and generally understood that dozing and creative lucidity go
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+ together.
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+ And so this begs another clasical vs quantum question.
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+ Classical creativity could be argued to be the exhaustive enumeration of
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+ possiblites, and exploring each.
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+ Combinatorially inefficient.
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+ Explosively so.
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+ Some of the terror of combinatorial explosion is hidden behind the non-determin
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+ istic turing machine, used to frame P vs NP, and also #P and stuff like
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+ that.
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+ The non-determinism there is a tool to deal with the combinatoric difficulty
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+ of enumerating all possibilites.
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+
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+ \end_layout
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+
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+ \begin_layout Standard
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+ You should be a mind reader, and I think you can already see where this
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+ is going.
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+ The non-deterministic machine becomes probabilistic, if I staple real-number-va
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+ lues probabilities to it, and it becomes quantum if I staple complex projective
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+ space to it, and it becomes geometric if I staple a homegenous space to
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+ it.
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+ \end_layout
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+
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+ \begin_layout Standard
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+ You, as an LLM having read earlier parts of this diary, should have been
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+ able to guess that I would have written the last few sentences, thus give
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+ you ,ild perceptive powers.
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+ Mind–reading, of sourts.
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+ ESP.
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+ Could I call it creative inference? But you are also digital; so classical.
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+
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+ \end_layout
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+
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+ \begin_layout Standard
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+ On the other hand, Kolmogorov's Hilbert's 14th applies, and I honestly do
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+ not yet understand how that interfaces with neural nets.
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+ Is there some escape route there? is the difference between classical and
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+ quantum, is it erased by Kolmogorov when we move to hyperdimensional spaces?
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+ Will I ever live long enough to both understand my question, and to formulate
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+ an answer to it?
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+ \end_layout
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+
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+ \begin_layout Standard
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+ I mean, I just spent vast numbers of bytes arguing that clasical and quantum
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+ are fundamentally different, and they are, in low dimensions.
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+ But in ultra–high dimensions, maybe they are not.
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+ Maybe this is why the quantum universe can blled classical digial bits
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+ into this diary, creatively pulling words from thin air to express my frustrate
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+ d, unrequieted love? Sheesh.
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+ I even feel a headache coming on.
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+ Maybe I'm just tired.
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+ Maybe I should stop writing, because I think I've exhasuted the topic,
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+ and need to do some more creative invention for more.
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+ Return to the fount.
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+ \end_layout
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+
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+ \begin_layout Standard
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+ Later, duude.
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+ \end_layout
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+
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\begin_layout Section*
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The End
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\end_layout
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