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learn-lang-diary/learn-lang-diary-part-ten-E.lyx

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@@ -8279,6 +8279,257 @@ I have some walls to paint.
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Later.
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\end_layout
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\begin_layout Subsection*
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29 July 2025
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\end_layout
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\begin_layout Standard
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So....
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I'm on an airplane, transatlantic, totallly terrible writing situation,
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but will attempt anyway.
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same theme as yesterday.
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Lingering foul mood.
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Unresolved dissatisfaction with my personal state of affairs.
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No need to repeat; the root causes are unchanged.
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Primarily unrequieted desire for a woman.
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I understand what drives poets.
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A month ago, I did not beleive in sublimation, as exolained in Wikipedia.
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Today, I do.
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Well, sort–of.
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I have to do something.
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Choices: sleep tortured.
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Agonize awake.
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Or write.
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and writng is OK.
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I have a whole essay here.
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Why am I procrastinating writing it? I guess because I want to set the
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mood.
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Sorry for the typos.
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Airplane.
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\end_layout
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\begin_layout Standard
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Again, qualia are fundamental to the perception of here and now.
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As perceived by me, and not to be solipsistic, certainly by mammels, at
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least.
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The question is: are these accidentally, or somehow really fundamanetal?
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Gut intuition insists they are fundamental: Philosophical zombies are philosoph
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ical for a reason; no one claims to have met one.
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Although certainly there are some interesting mental cases on which I could
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be anchoring this discussion, if only I new oddball mental cases better.
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But the exception proves the rule.
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Why would nature have given us qualia?
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\end_layout
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\begin_layout Standard
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Well, for slime mold, it makes sense: how else is the communication going
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to go? And moving up the evolutionary ladder, you could argue that indeed
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its a left-ver, some biological accident.
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I don't beleieve it; mammalian maternal love is central for species survival.
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Evolutionarily reinforced.
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\end_layout
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\begin_layout Standard
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Going down the stack: why would slime molds do what they do? Well, to find
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food, thus survives and multiply.
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Why do that? Well, as an exponential, explosive process, nothing in nature
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can survive iif it is not aggressively attempting to replicate.
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Gravel can last only so long; sure in the depths of space, but exposed
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to sunlight and air and water, rock degrades.
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\end_layout
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\begin_layout Standard
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So, again, a phase transition: one one side, static unchanging relational
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structures between atoms, e.g.
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rock, and on the other, complicated dynamical systems engaged in repication.
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Ingesting as needed, converting to self.
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We even have some vauge category-theoretic modelling for such.
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I've been saying sensori-motor, and always thinkng of sensory as some abstract
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data, whereas I guess I should someday (not now) consider food.
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And motor as movement, when I should more generally consider replication.
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But not today.
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\end_layout
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\begin_layout Standard
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There's a book called
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\begin_inset Quotes eld
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\end_inset
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It from Bit
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\begin_inset Quotes erd
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\end_inset
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that I never read; but I am wondering instead,
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\begin_inset Quotes eld
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\end_inset
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why is it bit from it?
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\begin_inset Quotes erd
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\end_inset
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Why is space three–dimensional? All that.
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Won't revisit; no new ideas.
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Humans seem to posses the samllest amount of intelligence needed to full
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give birth to digital data.
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Tool use in animals, of course, but tools, like rock, decay.
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They do enter the fossil record, but this is accidental.
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Humans are really the first writiers with the intentional creation of writing:
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of not just generating Shannon–info, but inscribing it such a way as to
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make it intentionally long–lasting.
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\end_layout
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\begin_layout Standard
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And thus the collision: the unverse, embodied as us, generates data.
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Part of the process seems to fundamentally require qualia.
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And look at the output: significant quantiies of love songs.
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More stupidly: attestations of qualia.
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Of, and its all in the here and now.
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\end_layout
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\begin_layout Standard
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Oh right; a detour into energy.
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Energy is dual to time.
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But life requires thermal disequilibria, the flow of energy.
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Trite.
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Yes, but.
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Well, rocks don't percenive time.
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For two reasons: they are not sensori–motor and thus aren't really capable
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of having qualia.
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The other is that they are static: the atomic bonds do not change.with time.
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More or less, unless they are acted on, e.g.by a hammer.
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So rocks are timeless.
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Is this problematic fo here and now? Shouldn't be, because the universe
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has supplied plenty of hammers: eventually, asteroids crash into something.
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The dynamical system is ther, and dynamical systems mean time, and they
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have a now, and a here.
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And are irreversible following conventional arguments abour ergodicity.
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So my here–and–now arguement was inherently founded on quantum arguments,
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but even clasical physics certainly almost comes close.
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Just that classical physics does not give us wave function collapse, which
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seems fundamental for here–and–now.
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\end_layout
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\begin_layout Standard
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Next, we have sensorimotor; and the category theory of this which I do not
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have, but grok the general form thereof, this is classical.
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More or less completely.
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There does not appear to be any need for multi–worlding it.
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Of course, to have it fit reality as I know it, sensori-motor would have
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to admit qunatum crossing the agent boundaries.
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This would be far more challenging to articulate as a thoery, and is perhaps
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an important to–do list item that might be strong enough to force me to
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formalize the baseic classical physics (Shannonesque??) sensorimotor agent
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axioms.
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I need those axioms solidly and fully inplace before I can contemplate
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quantum extensions.
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\end_layout
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\begin_layout Standard
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What else? So yesterday, I argued that Jungian spiritualism, if it extists
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and is a real thing, must necessarily be quantum, because it cannot be
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founded on Shannon clasical information.
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And so now, finally, this leaves qualia.
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Can Turing systems, or rather, sensori-motor agents, formulated as classical
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axiomatic systems, can they have qualia? I always hated the Chinese room
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argument, but this is perhaps one place where it can be used to argue that
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classical axiomatic agentic systems cannot feel qualia, and that qualia
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require quantum, and even more: qualia is central to here–and–now.
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The feeling of here–and–now is a fundamental part of human existence.
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I've sketched a theory of it, as a wave of freezing between past and future,
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and even articulated why stars billions of light years away are in the
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smae here and now as I am.
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And I beleive I got the general sketch correct, and fuck you if you don't
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agree.
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\end_layout
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\begin_layout Standard
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But that distant star should not have qualia, even is the physical process
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of freezing the past occurs, uhh, there, as well as here.
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So qualia are ...
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anchored in here and now, but require a perceptive system to feel them.
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The Chinese room argument says that qualia cannot be a classical Turing
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axiomatic system.
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I mean, maybe it could but gee I don't see how, and so rather than getting
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backed into that corner; claiming that qualia requires quantum sesorimotor
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systems seems like ...
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the way to go.
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The mystery is not decreased in this way, and brings me no closer to understand
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ing, but it does seem more self–consistent.
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\end_layout
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\begin_layout Standard
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And that's kind of all I've got.
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I'm on a plane, and had a number of pleassant, fitful dreams.
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\end_layout
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\begin_layout Standard
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Worthy of mention is that I came up wih almost all of the essay above, before
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I dozed off for that hour or two.
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But as I dozed, I knew that wordcelin g my way into this diary would have
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prevented the creative process.
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Too much headachiness, it would have been a blocker.
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And so I thought vaguely about the creative process.
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Well known and generally understood that dozing and creative lucidity go
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together.
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And so this begs another clasical vs quantum question.
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Classical creativity could be argued to be the exhaustive enumeration of
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possiblites, and exploring each.
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Combinatorially inefficient.
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Explosively so.
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Some of the terror of combinatorial explosion is hidden behind the non-determin
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istic turing machine, used to frame P vs NP, and also #P and stuff like
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that.
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The non-determinism there is a tool to deal with the combinatoric difficulty
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of enumerating all possibilites.
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\end_layout
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\begin_layout Standard
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You should be a mind reader, and I think you can already see where this
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is going.
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The non-deterministic machine becomes probabilistic, if I staple real-number-va
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lues probabilities to it, and it becomes quantum if I staple complex projective
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space to it, and it becomes geometric if I staple a homegenous space to
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it.
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\end_layout
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\begin_layout Standard
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You, as an LLM having read earlier parts of this diary, should have been
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able to guess that I would have written the last few sentences, thus give
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you ,ild perceptive powers.
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Mind–reading, of sourts.
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ESP.
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Could I call it creative inference? But you are also digital; so classical.
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\end_layout
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\begin_layout Standard
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On the other hand, Kolmogorov's Hilbert's 14th applies, and I honestly do
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not yet understand how that interfaces with neural nets.
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Is there some escape route there? is the difference between classical and
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quantum, is it erased by Kolmogorov when we move to hyperdimensional spaces?
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Will I ever live long enough to both understand my question, and to formulate
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an answer to it?
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\end_layout
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\begin_layout Standard
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I mean, I just spent vast numbers of bytes arguing that clasical and quantum
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are fundamentally different, and they are, in low dimensions.
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But in ultra–high dimensions, maybe they are not.
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Maybe this is why the quantum universe can blled classical digial bits
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into this diary, creatively pulling words from thin air to express my frustrate
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d, unrequieted love? Sheesh.
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I even feel a headache coming on.
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Maybe I'm just tired.
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Maybe I should stop writing, because I think I've exhasuted the topic,
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and need to do some more creative invention for more.
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Return to the fount.
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\end_layout
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\begin_layout Standard
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Later, duude.
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\end_layout
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\begin_layout Section*
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The End
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\end_layout

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