Automated Reproducible Acoustical Analysis
Voice Lab is an automated voice analysis software. What this software
does is allow you to measure, manipulate, and visualize many voices at
once, without messing with analysis parameters. You can also save all of
your data, analysis parameters, manipulated voices, and full colour
spectrograms and power spectra, with the press of one button.
VoiceLab is licensed under the MIT license. See the LICENSE file for more information.
If you use VoiceLab in your research, please cite it:
- Feinberg, D. (2022). VoiceLab: Software for Fully Reproducible Automated Voice Analysis. Proc. Interspeech 2022, 351-355.
- Feinberg, D. R., & Cook, O. (2020). VoiceLab: Automated Reproducible Acoustic Analysis. PsyArxiv
- Install from pip using Python 3.9-3.11
pip install voicelab
- To install on Windows, download the .exe file from the releases page.
- run the voicelab.exe file
- To install on OSX, download the .zip file from the releases page.
- Unzip the file, and run the VoiceLab app
- Install on Ubuntu (standalone)
- Download
voicelab - change the permissions to executable:
chmod +x voicelab - try:
voicelabor./voicelab - You might need to run this to install a dependency:
sudo apt-get install libxcb-xinerama0
- Download
-
MeasureAlphahNode measures the alpha ratio
- It is a measure of the ratio of low frequency energy to high frequency energy
- It's written by me using NumPy
-
Pitch-corrected RMS Energy (Voice Sauce) --See bug fixes.
-
Pitch-corrected Equivalent Continuous Sound Level (Leq)
-
New viewport window for LPC spectra
- Major bugfix affecting all users of Energy in VoiceLab and Voice Sauce
In Voice Sauce source code, they report to calculate RMS in the documentation, but instead calculated Total energy in each pitch-dependent frame. This means the Energy value in Voice Sauce that was translated to VoiceLab was not scaled for wavelength, and therefore not pitch-independent. To fix this I have implemented and RMS calculation at every frame. You can see the values are much closer to those given by Praat now, but are different, and that is because of the pitch-dependent frame length. I've removed the old calculation of mean energy, and if you are using RMS energy as a single value, that is the RMS of all of the frames. If for some reason you want the old calculation, it is in all of the older versions of VoiceLab.
If you are concerned, I recommend anyone who has published using this algorithm, or plans to in Voice Sauce or older versions of VoiceLab, re-run their Energy measurements and use the new values. The values will be similar, but they won't be the same.
- Fixed spectrograms and spectra
- You can now see them in the boxes and you can expand them
If you clone the GitHub repo and look in the tests, you can see how to use the API. However, it is not supported at this time.
David Feinberg: feinberg@mcmaster.ca
David Feinberg, PhD
- Oliver Cook
- El Khanoussi Yassine
https://voice-lab.github.io/VoiceLab
Voice Lab is written in Python and relies heavily on a package called parselmouth-praat. parselmouth-praat is a Python package that essentially turns Praat's source code written in C and C++ into a Pythonic interface. What that means is that any praat measurement in this software is using actual Praat source code, so you can trust the underlying algorithms. Voice Lab figures out all analysis parameters for you, but you can always use your own, and these are the same parameters as in Praat, and they do the exact same thing because it is Praat's source code powering everything. That means if you are a beginner an expert, or anything in-between, you can use this software to automate your acoustical analyses.
All of the code is open source and available here on our GitHub repository, so if this manual isn't in-depth enough, and you want to see exactly what's going on, go for it. It is under the MIT license, so you are free to do what you like with the software as long as you give us credit. For more info on that license, see here.
Press this button to load sound files. You can load as many files as you like. At the moment, Voice Lab processes the following file types:
- wav
- mp3
- aiff
- ogg
- aifc
- au
- nist
- flac
Use this button to remove the selected sound file(s) from the list.
Pressing this begins analysis. If you want to run the default analysis, press this button. If you want to select different analyses or adjust analysis parameters, go to the 'Settings' tab and press the 'Advanced Settings' button. Only the files selected (in blue) will be analyzed. By default we will select all files.
To choose different analyses, select the Use Advanced Settings checkbox. From here, you'll be given the option to select
different analyses. You can also change any analysis parameters. If you
do change analysis parameters, make sure you know what you are doing,
and remember that those same analysis parameters will be used on all
voice files that are selected. If you don't alter these parameters, we
determine analysis parameters automatically for you, so they are
tailored for each voice to give the best measurements.
Save Results saves two xlsx files. One is the results.xlsx file and one is the settings.xlsx file. Here you can choose the directory you want to save the files into. You don't have to click on a file, just go to the directory and press the button.
The results file saves all of the voice measurements that you made. Each measurement gets a separate tab in the xlsx file.
This file saves all of the parameters used in each measurement. Each measurement gets a separate tab in the xlsx file. This is great if you want to know what happened. It can also accompany a manuscript or paper to help others replicate analyses.
This measures the full duration of the sound file. There are no parameters to adjust.
This measures voice pitch or fundamental frequency. This uses Praat's
Sound: To Pitch (ac)..., by default. You can also
use the cross-correlation algorithm: Sound: To Pitch (cc)...{.python
.sourceCode}. For full details on these algorithms, see the praat
manual pitch page.
Measure Pitch returns the following measurements:
- Minimum Pitch
- Maximum Pitch
- Mean Pitch
- Standard Deviation of Pitch
- Pitch Floor
- Pitch Ceiling
We use the automated pitch floor and ceiling parameters described
here.<floor-ceiling>
This is the Yin implementation from Librosa.
This measures subharmonic pitch and subharmonic to harmonic ratio. Subharmonic to harmonic ratio and Subharmonic pitch are measures from Open Sauce (Yu et al., 2019), a Python port of Voice Sauce (Shue et al., 2011). These measurements do not use any Praat or Parselmouth code. As in (Shue et al., 2011) and (Yu et al., 2019), subharmonic raw values are padded with NaN values to 201 data points.
- Shue, Y.-L., Keating, P., Vicenik, C., & Yu, K. (2011). VoiceSauce: A program for voice analysis. Proceedings of the ICPhS XVII, 1846–1849.
- Yu, T. M., Murray, R. D., Silverstein, K., & Yu, K. M. (2019). OpenSauce: Open source software for voice analysis, v0.1. https://doi.org/10.5281/zenodo.2638411
Praat suggests adjusting pitch settings based on
gender
. It's not gender per se that is important, but the pitch of voice. To
mitigate this, VoiceLab first casts a wide net in floor and ceiling
settings to learn the range of probable fundamental frequencies is a
voice. Then it remeasures the voice pitch using different settings for
higher and lower pitched voices. VoiceLab by default uses employs
very accurate. VoiceLab returns
minimum pitch, maximum pitch{.python
.sourceCode}, mean pitch, and
standard deviation of pitch. By default VoiceLab
uses autocorrelation for Measuring Pitch<Pitch>{.interpreted-text
role="ref"}, and cross-correlation for
harmonicity<HNR>,
Jitter<Jitter>, and
Shimmer<Shimmer>,
This measures mean harmonics-to-noise-ratio using automatic floor and
ceiling settings described here.<floor-ceiling>{.interpreted-text
role="ref"} Full details of the algorithm can be found in the Praat
Manual Harmonicity
Page. By
default Voice Lab use To Harmonicity (cc)... You
can select To Harmonicity (ac) or change any
other Praat parameters if you wish.
This measures and returns values of all of Praat's jitter
algorithms.
This can be a bit overwhelming or difficult to understand which measure
to use and why, or can lead to multiple colinear comparisons. To address
this, by default, Voice Lab returns a the first component from a
principal components analysis of those jitter algorithms taken across
all selected voices. The underlying reasoning here is that each of these
algorithms measures something about how noisy the voice is due to
perturbations in period length. The PCA finds what is common about all
of these measures of noise, and gives you a score relative to your
sample. With a large enough sample, the PCA score should be a more
robust measure of jitter than any single measurement. Voice Lab uses use
it's automated pitch floor and ceiling algorithm.<floor-ceiling> to set analysis parameters.
Jitter Measures:
- Jitter (local)
- Jitter (local, absolute)
- Jitter (rap)
- Jitter (ppq5)
- Jitter (ddp)
This measures and returns values of all of Praat's shimmer
algorithms.
This can be a bit overwhelming or difficult to understand which measure
to use and why, or can lead to multiple colinear comparisons. To address
this, by default, Voice Lab returns a the first component from a
principal components analysis of those shimmer algorithms taken across
all selected voices. The underlying reasoning here is that each of these
algorithms measures something about how noisy the voice is due to
perturbations in amplitude of periods. The PCA finds what is common
about all of these measures of noise, and gives you a score relative to
your sample. With a large enough sample, the PCA score should be a more
robust measure of shimmer than any single measurement. Voice Lab uses
use it's automated pitch floor and ceiling algorithm.<floor-ceiling> to set analysis parameters.
Shimmer Measures:
- Shimmer (local)
- Shimmer (local, dB)
- Shimmer (apq3)
- Shimmer (aqp5)
- Shimmer (apq11)
- Shimmer (ddp)
This measures Cepstral Peak Prominance in Praat. You can adjust interpolation, qeufrency upper and lower bounds, line type, and fit method.
This returns the mean of the first 4 formant frequencies of the voice
using the To FormantPath algorithm using 5.5
maximum number of formants. All other values are Praat defaults for
Formant Path. Formant path picks the best formant ceiling value by
fitting each prediction to a polynomial curve, and choosing the best fit
for each formant. You can also use your own settings for :python:'To
Formant Burg...' if you want to.
This returns the following vocal tract length estimates:
This calculates the mean of the first
four formant frequencies for each sound.
Pisanski, K., & Rendall, D. (2011). The prioritization of voice fundamental frequency or formants in listeners' assessments of speaker size, masculinity, and attractiveness. The Journal of the Acoustical Society of America, 129(4), 2201-2212.
This returns the first factor from a Principle Components Analysis (PCA) of the 4 formants.
Babel, M., McGuire, G., & King, J. (2014). Towards a more nuanced view of vocal attractiveness. PloS one, 9(2), e88616.
Formant Position is set to only run on samples of 30 or greater because this measure is based on transforming the data using z-scoring, which is based on the population mean. Without a large enough sample, this measurement could be suspicious.
Puts, D. A., Apicella, C. L., & Cárdenas, R. A. (2011). Masculine voices signal men's threat potential in forager and industrial societies. Proceedings of the Royal Society B: Biological Sciences, 279(1728), 601-609.
This calculates the geometric mean
of the first 4 formant frequencies for each sound.
Smith, D. R., & Patterson, R. D. (2005). The interaction of glottal-pulse rate andvocal-tract length in judgements of speaker size, sex, and age.Journal of the Acoustical Society of America, 118, 3177e3186.
Fitch, W. T. (1997). Vocal-tract length and formant frequency dispersion correlate with body size in rhesus macaques.Journal of the Acoustical Society of America,102,1213e1222.
Fitch, W. T. (1997). Vocal-tract length and formant frequency dispersion correlate with body size in rhesus macaques.Journal of the Acoustical Society of America,102,1213e1222.
Titze, I. R. (1994).Principles of voice production. Englewood Cliffs, NJ: Prentice Hall.
= The slope of 0 intercept regression between
F_i = \frac{(2i-1)}{2}\Delta f and the mean of each of the first 4 formant
frequencies.
Reby,D.,& McComb,K.(2003).Anatomical constraints generate honesty: acoustic cues to age and weight in the roars of red deer stags. Animal Behaviour, 65,519e530.
This returns the mean of Praat's Sound: To Intensity... function in dB. You can adjust the minimum pitch parameter.
This is my port of VoiceSauce’s Energy Algorithm. It is different than the old RMS Energy algorithm in previous versions of VoiceLab. This code is not in OpenSauce.
This function is an implementation of the Praat script published here: De Jong, N.H. & Wempe, T. (2009). Praat script to detect syllable nuclei and measure speech rate automatically. Behavior research methods, 41 (2), 385 - 390.
Voice Lab used version 2 of the script, available [here https://sites.google.com/site/speechrate/Home/praat-script-syllable-nuclei-v2]{.title-ref}
This returns: - Number of Syllables
- Number of Pauses
- Duratrion(s)
- Phonation Time(s)
- Speech Rate (Number of Syllables / Duration)
- Articulation Rate (Number of Syllables / Phonation Time)
- Average Syllable Duration (Speaking Time / Number of Syllables)
You can adjust: - silence threshold mindb
- mimimum dip between peaks (dB)
mindip. This should be between 2-4. Try 4 for clean and filtered sounds, and lower numbers for noisier sounds. - minimum pause length
minpause
This command really only words on sounds with a few syllables, since
Voice Lab is measuring how fast someone speaks. For monosyllabic sounds,
use the Measure Duration function.<Duration>
This measures spectral tilt by returning the slope of a regression between freqeuncy and amplitude of each sound. This is from a script written by Michael J. Owren, with sorting errors corrected. This is not the same equation in Voice Sauce.
Owren, M.J. GSU Praat Tools: Scripts for modifying and analyzing sounds using Praat acoustics software. Behavior Research Methods (2008) 40: 822--829. https://doi.org/10.3758/BRM.40.3.822
This measures several items from the Long-Term Average Spectrum using Praat's default settings.
- mean (dB)
- slope (dB)
- local peak height (dB)
- standard deviation (dB)
- spectral tilt slope (dB/Hz)
- spectral tilt intercept (dB)
You can adjust: - Pitch correction - Bandwidth - Max Frequency - Shortest and longest periods - Maximum period factor
This measures spectral: - Centre of Gravity - Standard Deviation - Kurtosis - Band Energy Difference - Band Density Difference
Voice Lab provides several voice manipulations.
This manipulates pitch using the PSOLA method. By default Manipulate Pitch Lower and Manipulate Pitch Higher lower and raise pitch by -/+ 0.5 ERBs (Equivalent Rectangular Bandwidths) which is about -/+ 20 Hz at a 120 Hz pitch centre and about -/+ 25 Hz at a 240 Hz pitch centre. By default VoiceLab also normalizes intensity to 70 dB RMS, but you can turn this off by deselecting the box in the Settings tab.
This manipulates formants using Praat's Change Gender Function. By default, Formants are scaled by +/- 15%. This manipulation resamples a sound by the Formant scaling factor (which can be altered in the Settings tab). Then, the sampling rate is overriden to the sound's original sampling rate. Then PSOLA is employed to stretch time and pitch back (separately) into their original values.
This manipulation raises and lowers both pitch and formants in the same direction by the same or independent amounts. This uses the algorithm described in Manipulate Formants, but allows the user to scale or shift pitch to a designated degree. By default, pitch is also scaled +/- 15%.
This is a quick and easy way to batch process resampling sounds. 44.1kHz is the default. Change this value in the Settings tab.
This reverses the selected sounds. Use this if you want to play sounds backwards. Try a Led Zepplin or Beatles song.
This resamples the sound, rotates the selected sounds by 180 degrees and reverses it so it’s just the inverted frequency spectrum. This scipt is from Chris Darwin and reproduced here with permission: The original can be found here: http://www.lifesci.sussex.ac.uk/home/Chris_Darwin/Praatscripts/Spectral%20Rotation A similar technique was used here: Bédard, C., & Belin, P. (2004). A “voice inversion effect?”. Brain and cognition, 55(2), 247-249.
This scales intensity to an RMS value. Use this if you want your sounds to all be at an equivalent amplitude. By default intensity is normalized to 70 dB.
This trims sounds. You can trim a % of time off the ends of the sound, or voicelab can automatically detect silences at the beginning and end of the sound, and clip those out also.
VoiceLab creates full colour spectrograms. By default we use a wide-band
window. You can adjust the window length. For example, for a narrow-band
spectrogram, you can try 0.005 as a window length. You can also select a
different colour palate. You can also overlay pitch, the first four
formant frequencies, and intensity measures on the spectrogram.
VoiceLab creates power spectra of sounds and overlays an LPC curve over the top.
This is where you can view results. You can select each voice file on
the left and view each measurement result on the bottom frame. You can
also view your spectrograms in the spectrogram window. You can change
the size of any of these frames in order to see things better. Press
Save Results to save data. All data (results &
settings), manipulated voices, and spectrograms are saved automatically
when this button is pressed. All you have to do is choose which folder
to save into. Don't worry about picking file names, Voice Lab will make
those automatically for you.
- All data files are saved as xlsx
- All sound files are saved as wav
- All image files are saved as png