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jingdian2.json
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"lead": "他们交往，但交往方式不包括见面，他们甚至刻意保持不见。布朗肖说他们都惦记对方，福柯把他奉为最迷恋作家之一。\r\n这是在布朗肖和福柯之间发生的友谊：“不见面，保持纯净，分离遂成为一种联系”。",
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"lead": "大春把他的父亲裹挟进他与孩儿的对话里；只不过，那是在他真正成为人父之前，在他的孩子“真正拥有属于自己的性别、面容、体态、脾气、个性乃至命运之前”，就在那个写作的念头突然跑出来撞了他一下的那一刻——大春站在他父亲的病床旁......",
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"title": "苦难的位置",
"excerpt": "诗人奥登说，苦难来了，一任狗照常过狗的日子，酷吏的马匹向一颗树干摩擦无辜的后臀。",
"lead": "《苦难的位置》所表达的主题是，人对别人的痛苦麻木无感。诗人在美术馆里看到勃鲁盖尔（1525—1569，尼德兰画家）的油画《伊卡鲁斯》，深感他描绘的正是这一主题。伊卡鲁斯是希腊神话中的人物，为巧匠代达罗斯之子。他和父亲双双以蜡翼粘身飞离克里特岛，因飞得太高，蜡被阳光融化，坠入爱琴海而死。",
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"title": "父亲的\r\n蓝色眼睛",
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"lead": "他还梦想乘信风去西印度群岛。但他从未出发过。查尔斯今年已经八十岁了。让我们祈祷他可以乘着“艾雷鼠”航行。",
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"title": "关于麻将的\r\n碎片记忆",
"excerpt": "关于八十年代的碎片记忆，零散地拼凑起来，不讳言直说，麻将占据了一大半的储存空间。混迹在一个又一个麻桌上的麻友与我，在这俗世的大染缸中参悟谋道。",
"lead": "当时我和我的同学们对麻将的痴迷情感已经不是其它任何东西能够代替的了。客观地评价，这种狂热让我们的青春显得十分轻狂。",
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"title": "每天的日落时分都是为了你",
"excerpt": "惠特曼是美国最伟大的诗人之一，他将当时盛行的超验主义与现实主义融合起来，并书写了自己的诗篇。《草叶集》是他的浪漫与反叛的集中体现。",
"lead": "但是对我，对你，不可抗拒的大海隔开了我们，能隔开我们一个小时，却不能永久隔开我们，别急——只消一会儿——你知道每天日落时，我都向天空、大海和陆地致意，全是为了你，我爱的人。——【美】沃尔特·惠特曼《草叶集》",
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"title": "作曲家\r\n和他的鹦鹉",
"excerpt": "多情的女友带来了一只鸟，也许是她前任男友的遗物。作曲家在女友缺席的日子里，和这只不速之鸟做了生死之交的好友。是友情或是爱情，又有什么关系呢。",
"lead": "宝利离开他的肩膀，飞向海浪。“回来，回来！”范林高喊，但鸟继续沿着船舷飞行。突然一阵风截住宝利，把它卷进翻滚的水里。“宝利！宝利！”范林叫着，冲向船尾，眼睛紧盯着在翻腾的水中起伏的鸟。",
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